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Chad Clinton Freeman: the man behind PollyGrind

Founder and director of the Las Vegas underground genre-film festival PollyGrind (est. 2010); on record calling The Bunny Game "the epitome of what PollyGrind is about" after its 2011 jury sweep.

Chad Clinton Freeman: the man behind PollyGrind
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Location
Las Vegas, Nevada, United States
Country
United States
Role
Founder and director of the PollyGrind Film Festival
Festival founded
2010, Las Vegas, Nevada
Festival focus
Underground and independent genre cinema, from arthouse to grindhouse
Defining quote
Called Adam Rehmeier's The Bunny Game "the epitome of what PollyGrind is about" after its 2011 jury sweep
Press description
Called the "new champion of unabashed B-movie sleaze" by ArrowInTheHead.com
Background
Independent filmmaker and mass media specialist; member of the Exploitation Film Preservation Society since 1996
Festival scale (2013)
Record 777 entries; 100+ films from 13 countries; 18 world premieres

Overview

Chad Clinton Freeman is the founder and director of the PollyGrind Film Festival, the Las Vegas underground genre-film event founded in 2010; he is on record calling Adam Rehmeier’s The Bunny Game “the epitome of what PollyGrind is about” after the film swept the 2011 jury awards, including the top prize, the Biggest Baddest Mother of the PollyGrind (Dread Central). Dubbed the “new champion of unabashed B-movie sleaze” by ArrowInTheHead.com, Freeman is also an independent filmmaker and mass media specialist, and a member of the Exploitation Film Preservation Society since 1996 (PRLog).

Building PollyGrind

Freeman founded PollyGrind in 2010 as an underground film festival in Las Vegas, and by its second annual edition — October 2011 at theatre7 in the Las Vegas arts district — it was screening more than 100 projects, including 30-plus feature films alongside 80-plus trailers, music videos and shorts (PRLog). The lineup mixed arthouse and grindhouse: the festival drew more than 20 projects from Las Vegas filmmakers and entries from India, Spain, Brazil, England, Australia, Canada, Germany, Sweden and Italy, spanning action, horror, sci-fi, experimental, dark comedy, gore, found footage and exploitation (PRLog). Freeman’s programming instinct had commercial weight: eight of the thirteen features screened in 2010 went on to DVD distribution, and the 2011 edition dangled DVD deals from Breaking Glass Pictures, sub-distribution from Apprehensive Films and Wild Eye Releasing, and close to $10,000 in software prizes (PRLog) — positioning PollyGrind as, in the festival’s own words, “the key festival for indie cult filmmakers to land distribution deals.”

The Bunny Game triumph

The 2011 festival belonged to Adam Rehmeier’s The Bunny Game: it took the top jury prize, the Biggest Baddest Mother of the PollyGrind, plus best sound design, best cinematography and best editing, while Rodleen Getsic won best overall individual performance for her portrayal of Bunny (Dread Central). Freeman told Dread Central the film was “the epitome of what PollyGrind is about” — shot with a one-man crew, stylistic and beautiful to look at, “both brutal and thought provoking” (Dread Central). The relationship endured: Rehmeier returned for PollyGrind IV in 2013 with Jonas, one of eighteen world premieres at an edition that drew a record 777 entries and screened more than 100 films from 13 countries (Horror Society). That year’s program had been named one of MovieMaker Magazine’s “25 Festivals Worth the Entry Fee” for 2012, and official selections had by then earned distribution deals from LionsGate, IFC Midnight, Troma, Showtime and Autonomy Pictures (Horror Society).

The 2011 PollyGrind top jury awards at a glance

AwardWinner
The Biggest Baddest Mother of the PollyGrind (top jury prize)The Bunny Game (Adam Rehmeier)
Best Horror FilmThe Super (Evan Makrogiannis / Brian Weaver)
Best Exploitation FilmDear God No! (James Bickert)
Best Use of Violence/GoreSella Turcica (Fred Vogel)
Most OutrageousThe Gruesome Death of Tommy Pistol (Aramis Sartorio)
Audience favorite featureDear God No! (James Bickert)

The 2013 edition drew a record 777 entries and screened more than 100 films from 13 countries (Horror Society) — meaning a Las Vegas underground festival founded just three years earlier was already pulling a genuinely international slate of outsider cinema.

Frequently asked questions

Who is Chad Clinton Freeman? Chad Clinton Freeman is the founder and director of the PollyGrind Film Festival in Las Vegas, an underground genre-film event founded in 2010. Described by ArrowInTheHead.com as the “new champion of unabashed B-movie sleaze,” he is also an independent filmmaker and mass media specialist and a member of the Exploitation Film Preservation Society since 1996.

What is the PollyGrind Film Festival? PollyGrind is an underground film festival in Las Vegas founded by Freeman in 2010, screening independent genre cinema from arthouse to grindhouse. Its 2013 edition drew a record 777 entries and screened more than 100 films from 13 countries, and it was named one of MovieMaker Magazine’s “25 Festivals Worth the Entry Fee” for 2012.

What did Freeman say about The Bunny Game? After the film swept the 2011 jury awards, Freeman told Dread Central it was “the epitome of what PollyGrind is about,” praising its one-man-crew craft and calling it brutal, thought provoking and unlike anything he had seen — with one of the best on-screen performances ever by an actress, Rodleen Getsic.

Which awards did The Bunny Game win at PollyGrind? The Bunny Game won the festival’s top jury prize, the Biggest Baddest Mother of the PollyGrind, at the 2011 edition, plus awards for best sound design, best cinematography and best editing; Rodleen Getsic won best overall individual performance for playing Bunny. Rehmeier’s follow-up feature Jonas premiered at the 2013 festival.

What this profile does not claim

  • It does not describe Freeman’s own films as a director — titles appear only in material not read in full and are not asserted here.
  • It does not state whether PollyGrind continued beyond 2013; the sources read in full cover 2010–2013.
  • It gives no biographical details (birth date, education, personal life) — none appear in the full-read sources.

Timeline

  • 1996 — joins the Exploitation Film Preservation Society (festival press release).
  • 2010 — founds the PollyGrind Film Festival in Las Vegas; the inaugural edition screens thirteen features (Horror Society; festival press release).
  • 2011 — the second annual edition runs at theatre7 with 100+ projects; The Bunny Game sweeps the jury awards and Freeman calls it “the epitome of what PollyGrind is about” (Dread Central; festival press release).
  • 2012 — PollyGrind is named one of MovieMaker Magazine’s “25 Festivals Worth the Entry Fee” (Horror Society).
  • 2013 — PollyGrind IV: A New Hope draws a record 777 entries and screens 100+ films from 13 countries, with 18 world premieres (Horror Society).

What we could not verify

  • Whether PollyGrind continued beyond 2013 and its current status; the full-read sources stop at the 2013 edition.
  • Freeman’s filmography and career before 1996 — not documented in the sources read.
  • No tier1 (major newspaper, government or academic) source covering Freeman was found; the profile rests on one tier2, one tier3 and one first-party source, each read in full.

Sources

Timeline

1996
Becomes a member of the Exploitation Film Preservation Society.
2010
Founds the PollyGrind Film Festival in Las Vegas; the inaugural edition screens thirteen features, eight of which go on to DVD distribution.
2011
The second annual edition runs at theatre7 in the Las Vegas arts district with 100+ projects; The Bunny Game sweeps the jury awards and Freeman calls it "the epitome of what PollyGrind is about."
2012
PollyGrind is named one of MovieMaker Magazine's "25 Festivals Worth the Entry Fee."
2013
PollyGrind IV: A New Hope draws a record 777 entries, screens 100+ films from 13 countries with 18 world premieres, including Adam Rehmeier's Jonas.

What we could not verify

These claims came up in research and could not be confirmed. They are recorded here rather than published as fact or quietly dropped. If you hold a source that settles one, please tell us.

Sources

3 sources (1 tier 2, 1 tier 3, 1 first-party), each opened and read against the claim it supports. Statements the subject makes about itself are marked as such and are not treated as independent evidence. See the source policy.

Built from three sources read in full: one tier2 genre-trade outlet (Dread Central), one tier3 horror-industry publication (Horror Society), and the festival's own 2011 press release (first-party, attributed as such and never load-bearing alone). No tier1 source covering Freeman was found; the profile stays within what the full-read sources document and flags everything else. Wikipedia was not used.

  1. Dread Central, 2011 Supports: The full 2011 jury awards list (top prize, sound design, cinematography, editing, Getsic's performance); Freeman's on-record comments on The Bunny Game; other 2011 winners Open original source
  2. Horror Society, 15 September 2013 Supports: Founder-and-director role; founded 2010; 2013 scale (777 entries, 100+ films, 13 countries, 18 world premieres); MovieMaker 2012 honor; distribution deals earned by selections; $30,000+ prizes; homage to Lewis, Mikels and Wishman Open original source
  3. PollyGrind Film Festival (press release via PRLog), 2 September 2011 Supports: Founder-and-director biography (independent filmmaker, mass media specialist, Exploitation Film Preservation Society member since 1996); the ArrowInTheHead.com 'new champion of unabashed B-movie sleaze' description; 2011 edition scale, genre mix and international entries; DVD distribution deals and software prizes. Attributed as the festival's own account throughout Open original source

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