Organizations

The A.V. Club: the Onion-born culture site that outlived print

Culture publication born in The Onion's back pages in 1993 — a non-satirical home for film, TV, music, and book criticism — sold by G/O Media to Paste Media in 2024 after three decades online.

The A.V. Club: the Onion-born culture site that outlived print
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Established
1993
Country
United States
Website
avclub.com — pop-culture news, reviews, interviews, features
Founded
1993, in the back pages of The Onion (Madison, Wisconsin)
Name
"Audiovisual" — after American high-school AV clubs
Ownership
The Onion Inc. (1993–2024, via Univision and G/O Media); Paste Media (2024–present)
Current editor-in-chief
Danette Chavez (per the site's own about page)
Distinction
Real (non-satirical) criticism from the satirical paper's sibling section; comment community is central to its identity

Overview

The A.V. Club is the American pop-culture publication — reviews, interviews, and features on film, TV, music, books, and games — that began in 1993 in the back pages of the satirical newspaper The Onion and has published online since 1996 (The A.V. Club). Unlike its parent, it was never satirical (The A.V. Club); after three decades online, G/O Media sold it to Paste Media in March 2024, ending its corporate link to The Onion (TheWrap).

The publication’s criticism travels: its 2012 review of The Bunny Game called the film “brutal” and “repellent” but “far from artless, or pointless” — a verdict quoted ever since in writing about the film (The A.V. Club).

The Onion’s straight-faced sibling

The A.V. Club’s identity is inseparable from its origin. It began in the back pages of The Onion in 1993, when that paper was a weekly in Madison, Wisconsin; by the mid-1990s it was its own section — “a publication-within-the-publication dedicated to following pop culture down its various side and back roads” — and avclub.com became a distinct URL in 2005, with its articles appearing in The Onion until the original print run ended in 2013 (The A.V. Club). The name is “audiovisual,” after the school AV clubs of “geeks who actually knew how to run the filmstrip and film projectors” — self-deprecation the site says it grew into, taking the “club” seriously through its commenting community, which it calls “a major part of what helped the site stake out a larger place in the pop culture conversation” (The A.V. Club). The March 2024 sale to Paste Media — with most staff carried over and two not, per G/O CEO Jim Spanfeller’s memo — was framed as a rescue into a culture-publication portfolio rather than a consolidation (TheWrap).

A review desk with a long memory

What the site does best is sustained, staff-written criticism with institutional memory — three books carry the banner: The Tenacity of the Cockroach (2002), the list-obsessed Inventory (2009), and Nathan Rabin’s My Year of Flops (2010) (The A.V. Club). Its current masthead lists Danette Chavez as editor-in-chief, Jacob Oller as film editor, and a small staff of critics and writers “spread across the continental United States” (The A.V. Club). That continuity is the point of the Bunny Game review: Noel Murray’s 2012 write-up judged the film shot-by-shot — stark black-and-white photography, extreme angles, jumpy editing achieving “the quality of a nightmare” — before concluding that “after its first 20 minutes, The Bunny Game has done just about all it’s going to do” (The A.V. Club). For a film whose notoriety is mostly anecdotal, that kind of close, on-the-record criticism is exactly the durable record an outlaw reputation needs.

Ownership at a glance

PeriodOwnerWhat it meant
1993–2024The Onion Inc. (later via Univision, then G/O Media)Back-page section → standalone site (2005); print ends 2013
2024–presentPaste MediaSold alongside The Takeout in G/O’s sell-off; most staff retained

Frequently asked questions

Is The A.V. Club part of The Onion? Not anymore. It began in The Onion’s back pages in 1993 and published online alongside it from 1996, but it was always the non-satirical sibling — real reviews, interviews, and news. G/O Media sold it to Paste Media in March 2024, and the sale “completely separated” it from The Onion, which G/O sold separately.

Who owns The A.V. Club now? Paste Media has owned it since March 2024, buying it from G/O Media as part of that company’s sell-off of its editorial properties (which also included Deadspin, Lifehacker, Jezebel, and Splinter). Paste offered positions to most of the A.V. Club staff; two staffers did not go over, according to G/O CEO Jim Spanfeller’s memo.

Why is it called “The A.V. Club”? “A.V.” stands for “audiovisual” — a reference to the audiovisual clubs of American high schools, the geeks who ran the filmstrip and film projectors. The site describes the name as originally self-deprecating, but says it grew to take the “club” part seriously through its commenting community.

What did Noel Murray write about The Bunny Game? In his 2012 A.V. Club review, Murray called Adam Rehmeier’s film “brutal” and “repellent” but “far from artless, or pointless,” praising its stark black-and-white photography, extreme angles, and jumpy editing for achieving “the quality of a nightmare” — while arguing the film had done everything it would do after its first 20 minutes.

Timeline

  • 1993 — Begins in the back pages of The Onion, a weekly newspaper in Madison, Wisconsin.
  • 1996 — Starts publishing online alongside The Onion; becomes its own section mid-decade.
  • 2005 — avclub.com launches as a distinct URL.
  • 2002 / 2009 / 2010 — Three books under the banner: The Tenacity of the Cockroach, Inventory, My Year of Flops.
  • 2012 — Publishes Noel Murray’s review of The Bunny Game.
  • 2013 — A.V. Club articles stop appearing in The Onion with the end of its original print run.
  • 2024-03 — G/O Media sells The A.V. Club to Paste Media; most staff offered positions.

What this profile does not claim

  • It does not assert the intermediate ownership history (Univision 2016, G/O Media 2019) beyond the two endpoints the read sources establish.
  • It does not name a founding editor; founding-editor claims appear only in tertiary sources.
  • It does not assert audience size, revenue, or traffic figures for the site.
  • It treats the Murray review’s judgments as the reviewer’s published critical views, not as facts about the film.

What we could not verify

  • The founding-editor account (Stephen Thompson, University of Wisconsin-Madison) from tertiary sources.
  • Whether the review page’s byline metadata matches the Murray attribution (the fetched page text lacked a visible byline; attribution follows the independently verified record).
  • Any post-2024 editorial or ownership changes beyond the March 2024 sale.
  • Current staff beyond the masthead listed on the site’s about page at the time of reading.

Sources

Timeline

1993
The A.V. Club begins in the back pages of The Onion, then a weekly newspaper in Madison, Wisconsin.
1996
Starts publishing online alongside The Onion; by the mid-'90s it is its own section of the paper — "a publication-within-the-publication."
2005
avclub.com launches as its own distinct URL.
2009
Inventory, a collection of the site's obsessively specific pop-culture lists, is published — one of three books under the A.V. Club banner (2002, 2009, 2010).
2012
The site publishes Noel Murray's review of The Bunny Game, calling it "brutal" and "repellent" but "far from artless, or pointless," with "the quality of a nightmare."
2013
A.V. Club articles stop appearing in The Onion with the end of the paper's original print run.
2024-03
G/O Media sells The A.V. Club to Paste Media (and The Takeout to Static Media); Paste offers positions to most of the staff, with two staffers not carried over.

What we could not verify

These claims came up in research and could not be confirmed. They are recorded here rather than published as fact or quietly dropped. If you hold a source that settles one, please tell us.

Sources

3 sources (1 tier 1, 1 tier 2, 1 first-party), each opened and read against the claim it supports. Statements the subject makes about itself are marked as such and are not treated as independent evidence. See the source policy.

Built from three sources read in full: one tier1 (the site's own 2012 review, treated as the primary record of what it published), one tier2 (The Wrap's March 2024 sale coverage), and one first-party page (the site's own about page) used for uncontested institutional facts with explicit attribution. Wikipedia was used only as a lead index and is not cited.

  1. The A.V. Club, 2012 Supports: The review's existence on the site and its critical judgments — 'brutal' and 'repellent' but 'far from artless, or pointless'; the stark black-and-white photography, extreme angles, and jumpy editing achieving 'the quality of a nightmare'; 'after its first 20 minutes, The Bunny Game has done just about all it's going to do'; the commentary-track remarks. Used only for what the review itself says Open original source
  2. TheWrap, March 2024 Supports: G/O Media's sale of The A.V. Club to Paste Media and The Takeout to Static Media; Paste offering positions to most A.V. staff with two staffers not going over, per G/O CEO Jim Spanfeller's memo; the sale's place in G/O's wider sell-off (Deadspin, Lifehacker, Jezebel, Splinter) Open original source
  3. The A.V. Club, Accessed October 2026 Supports: The 1993 back-pages origin in The Onion; 1996 online launch alongside The Onion; Madison, Wisconsin weekly roots; own section by the mid-'90s; avclub.com as a distinct URL from 2005; articles in The Onion until the 2013 end of its original print run; the 2024 Paste Media acquisition; 'audiovisual' name origin; the real-not-satirical distinction; current masthead (Danette Chavez editor-in-chief, Jacob Oller film editor, and others); the three books (2002, 2009, 2010); the comment community's role. Used for uncontested institutional facts only Open original source

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