Dinner in America (2020 film)
Adam Rehmeier's 2020 punk-rock romance: a Sundance U.S. Dramatic Competition premiere, Grand Prix winner at Odesa 2020, and a COVID-delayed cult hit.
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- Country
- United States
- Type
- Film (punk-rock romantic comedy)
- Director / Writer / Editor
- Adam Rehmeier
- Lead cast
- Kyle Gallner as Simon; Emily Skeggs as Patty; Pat Healy, Griffin Gluck, Lea Thompson, Mary Lynn Rajskub
- Producers
- Ben Stiller, Nicholas Weinstock, David Hunter, Ross Putman, John Covert, Sam Slater
- World premiere
- 2020 Sundance Film Festival, U.S. Dramatic Competition (Grand Jury Prize–Dramatic nominee)
- Top honor
- Grand Prix (audience vote), 11th Odesa International Film Festival, 2020
- U.S. release
- 2022 — select theaters; digital and on demand from 7 June 2022
Overview
Dinner in America is Adam Rehmeier’s 2020 punk-rock romantic comedy starring Kyle Gallner as Simon, an on-the-lam punk rocker, and Emily Skeggs as Patty, a socially awkward young woman obsessed with his band (Sundance Institute; RogerEbert.com). It world-premiered in the U.S. Dramatic Competition at Sundance 2020 and won the audience-voted Grand Prix at the 11th Odesa International Film Festival that October (Cineuropa). Produced by Ben Stiller among others, its U.S. release waited until 2022, after which it grew into a cult item crowned by a John Waters top-ten berth (RogerEbert.com; The Film Experience).
A script fourteen years in the making
The film’s gestation is unusually well documented because Rehmeier narrated it himself. Simon came to him “all at once” in 2006, walking in the snow — the rhythm of his boots conjuring “a predatory shark-like creature moving through space-time” — and the first ten minutes were sketched at his parents’ house that holiday (PopMatters). In 2009, blocked on another project, he sketched Patty and her conservatively religious Midwestern family, writing the opening taco-salad dinner scene in one sitting. Four years later he fused the two: the moment he combined “a day in the life of Simon and a day in the life of Patty, it suddenly became interesting” (PopMatters). He then wrote and refined the script for months, found producers — including Ben Stiller and Ross Putman — and waited six more years for the premiere. The design, he says, was subconscious: “a punk song — abrasive on the outside but it has a deeper message,” built from 29 years of home recording and a Midwest upbringing (PopMatters).
The festival run: Sundance competition, Odesa Grand Prix
Sundance’s own announcement placed the film in the U.S. Dramatic Competition — the category whose winner takes the Grand Jury Prize — as a world premiere, crediting Rehmeier as director and screenwriter and listing Ben Stiller, Nicholas Weinstock, David Hunter, Ross Putman, John Covert and Sam Slater as producers (Sundance Institute). RogerEbert.com’s festival dispatch called it a punk Heathers with a Napoleon Dynamite sense of humor, noting that its abrasiveness “starts to dissipate” as Simon and Patty become a team — “almost becomes sweet” (RogerEbert.com). Eight months later, at the hybrid 11th Odesa International Film Festival (25 September–3 October 2020), the film won the Grand Prix of the International Competition, decided by audience vote; Rehmeier said he would “immediately run to share the news with the filming crew” (Cineuropa). One disambiguation matters: Odesa’s jury gave its separate Best Film award to Valentyn Vasyanovych’s Atlantis — the Grand Prix was the audience’s prize, not the jury’s (Cineuropa).
The long road to release
The film’s American commercial life was delayed well past its festival window: RogerEbert.com’s 2022 review confirms it was “now playing in select theaters and available on digital platforms and on demand on June 7th” — a full two years after Sundance (RogerEbert.com). The slow burn paid off in cult credibility: that December, John Waters put the film on his year-end top-ten list, published for Film Forum via Artforum (The Film Experience). The stat, source and implication: a January 2020 premiere to a 2022 U.S. release — a two-plus-year gap (Sundance Institute; RogerEbert.com) — implying a reputation built through word of mouth, not a launch campaign.
| Milestone | Detail | Source |
|---|---|---|
| Sundance 2020 | World premiere, U.S. Dramatic Competition (Grand Jury Prize–Dramatic nominee) | Sundance; TV Guide |
| Odesa IFF 2020 | Grand Prix, International Competition (audience vote); jury Best Film went to Atlantis | Cineuropa |
| U.S. release | Select theaters 2022; digital/on demand from 7 June 2022 | RogerEbert |
| Cult milestone | John Waters’ 2022 top-ten list (Film Forum via Artforum) | Film Experience |
| Producers | Ben Stiller, Nicholas Weinstock, David Hunter, Ross Putman, John Covert, Sam Slater | Sundance |
Frequently asked questions
Is Dinner in America based on a true story? No. It is an original script Rehmeier developed between 2006 and 2019: the Simon character arrived in 2006, Patty’s family was sketched in 2009, and the two were fused in 2013. Rehmeier says he drew on his Midwest upbringing and decades of home music recording, and calls the film a punk song — abrasive outside, sweet inside.
What did Dinner in America win at the Odesa festival? The Grand Prix of the International Competition at the 11th Odesa International Film Festival in 2020 — a prize decided by audience vote. Note the distinction: the jury’s separate Best Film award went to Valentyn Vasyanovych’s Atlantis.
When was Dinner in America released in the United States? In 2022, two years after its Sundance premiere. RogerEbert.com’s review from that year confirms a select-theaters run with digital and on-demand availability from 7 June 2022. The exact distributor was not documented in this profile’s sources.
Why is Dinner in America called a cult film? Its reputation grew slowly after the delayed release: critics converted from irritation to affection, and in December 2022 John Waters named it to his annual year-end top-ten list (published for Film Forum via Artforum). Claims of a 2024 TikTok-driven resurgence could not be verified to this profile’s sourcing standard.
Timeline
| Date | Event | Source |
|---|---|---|
| 2006 | Simon character conceived; first ten minutes sketched | PopMatters |
| 2009 | Patty and family sketched; opening dinner scene written in one sitting | PopMatters |
| 2013 | Simon and Patty material fused into one script | PopMatters |
| Jan 2020 | World premiere, U.S. Dramatic Competition, Sundance | Sundance Institute |
| Oct 2020 | Grand Prix (audience vote), 11th Odesa IFF | Cineuropa |
| 2022 | U.S. select-theaters release; on demand from 7 June | RogerEbert.com |
| Dec 2022 | John Waters’ year-end top-ten list | The Film Experience |
What this profile does not claim
- It does not assert a 2024 TikTok-driven resurgence or a TikTok-prompted theatrical re-release; those claims are tertiary-only in this research pass.
- It does not enumerate festival wins beyond Odesa; a “20+ awards” claim appears in one outlet without independent corroboration.
- It does not name the U.S. distributor or give an exact U.S. theatrical opening date.
- It describes the film as a Grand Jury Prize–Dramatic nominee via its competition selection, not as a prize winner — it did not win at Sundance.
What we could not verify
- The reported 2024 TikTok popularity surge and any resulting delayed theatrical run.
- The “over 20 directing and audience awards” festival tally asserted by one outlet.
- The identity of the U.S. distributor and the precise U.S. theatrical opening date.
- Aggregate critical scores for the film.
Sources
Cineuropa — Dinner in America and Atlantis come out on top at the 11th Odesa International Film Festival (tier2; Odesa Grand Prix, festival dates, Rehmeier quote, jury Best Film disambiguation).
Sundance Institute — 2020 Sundance Film Festival: 118 Feature Films Announced (first-party; competition selection, world premiere, credits, synopsis).
RogerEbert.com — Sundance 2020: Wander Darkly, Dinner in America (tier2; festival reception and plot).
RogerEbert.com — Dinner in America movie review (tier2; 2022 U.S. release, critical assessment, punk/DIY framing).
PopMatters — Director Adam Rehmeier on His Abrasive Punk Comedy with a Sweet Heart, ‘Dinner in America’ (tier3; 2006–2013 script history, producers, Rehmeier’s method).
The Film Experience — John Waters kicks off an already swinging ‘Top Ten Season’ (tier3; Waters’ 2022 top-ten inclusion).
TV Guide — Dinner in America — Awards listing (tier3; Grand Jury Prize–Dramatic nomination and Audience Award listings).
Tier counts: tier1 0, tier2 3, tier3 3, first-party 1. Wikipedia: lead index only, not cited.
Timeline
- 2006
- Rehmeier conceives the Simon character — a predatory, shark-like punk moving through space-time — while walking in the snow; the first ten minutes are sketched at his parents' house over the holidays.
- 2009
- While blocked on another project, Rehmeier sketches Patty and her family; the opening taco-salad dinner scene is written in a single sitting.
- 2013
- Rehmeier fuses the Simon material with the Patty material; the combined script suddenly "became interesting." Six more years pass before the premiere.
- 2020-01
- World premiere in the U.S. Dramatic Competition at the 2020 Sundance Film Festival — the Grand Jury Prize category — listed as a Grand Jury Prize–Dramatic nominee.
- 2020-10
- Wins the Grand Prix of the International Competition — decided by audience vote — at the hybrid 11th Odesa International Film Festival (25 September – 3 October 2020). The jury's separate Best Film award goes to Atlantis.
- 2022
- U.S. release in select theaters, then digital platforms and on demand from 7 June; John Waters names the film to his annual year-end top-ten list (published for Film Forum via Artforum) that December.
What we could not verify
These claims came up in research and could not be confirmed. They are recorded here rather than published as fact or quietly dropped. If you hold a source that settles one, please tell us.
- A 2024 TikTok-driven popularity surge and a resulting delayed theatrical run are asserted on tertiary pages but were not confirmed by any tier1 or tier2 source in this pass; they are not asserted here.
- MovieWeb's claim that the film "won over 20 directing and audience awards" at festivals is the outlet's assertion and was not independently corroborated; specific wins beyond Odesa (e.g. Tallinn, Dublin, Febiofest) appear only in tertiary listings and are not asserted individually.
- The exact U.S. theatrical release date and the U.S. distributor's identity were not documented in the fetched sources; the profile follows RogerEbert.com's 2022 review (select theaters; on demand from 7 June).
- Aggregate critical scores (Metacritic/Rotten Tomatoes) were not independently verified in this pass and are omitted.
Sources
7 sources (3 tier 2, 3 tier 3, 1 first-party), each opened and read against the claim it supports. Statements the subject makes about itself are marked as such and are not treated as independent evidence. See the source policy.
Built from seven sources read in full: three tier2 (Cineuropa, RogerEbert.com twice), three tier3 (PopMatters, The Film Experience, TV Guide), and one first-party (Sundance Institute's own lineup announcement, used only for selection credits and synopsis — never for evaluative claims). The Grand Jury Prize nomination is triangulated across Sundance's competition listing, TV Guide's awards listing, and MovieWeb's contemporary reporting; the profile phrases it as competition selection in the prize category. Wikipedia served as a lead index only and is not cited.
- Supports: Grand Prix of the International Competition — determined by audience votes — awarded to Dinner in America by Adam Rehmeier; the hybrid 11th edition ran 25 September–3 October 2020; Rehmeier's acceptance quote; the jury's separate Best Film award to Atlantis (disambiguation); the International Competition jury lineup. Open original source
- Supports: Festival reception: punk Heathers with a Napoleon Dynamite sense of humor; Simon as the anonymous lead singer of a local band, Patty as the fan who doesn't recognize him; the abrasive-then-sweet tonal arc; the committed lead performances. Open original source
- Supports: U.S. release confirmation ("now playing in select theaters and available on digital platforms and on demand on June 7th"); written, directed and edited by Adam Rehmeier; assessment as "one of the sweetest" love stories in recent memory beneath the abrasion; the punk/DIY ethos and cinematic reference points (Ghost World, Heathers, Dogfight). Open original source
- Supports: Production history in Rehmeier's own words: Simon conceived in 2006, Patty sketched in 2009, the two fused in 2013, six more years to the premiere; produced by Ben Stiller and Ross Putman; his Midwest roots, 29 years of home recording, and the film-as-punk-song design ("abrasive on the outside but it has a deeper message"). Open original source
- Supports: John Waters' annual year-end top-ten list (published for Film Forum via Artforum) included Dinner in America among its "what's that?" inclusions — the cult-endorsement milestone. Open original source
- Supports: 2020 Grand Jury Prize–Dramatic nomination listing and 2020 Audience Award winner listing, corroborating the Sundance-competition and Odesa outcomes. Open original source
- Supports: U.S. Dramatic Competition selection and world-premiere status; director and screenwriter credit to Adam Rehmeier; full producer list including Ben Stiller; cast (Kyle Gallner, Emily Skeggs, Pat Healy, Griffin Gluck, Lea Thompson, Mary Lynn Rajskub); official synopsis (on-the-lam punk rocker and a young woman obsessed with his band, American Midwest). Open original source
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